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Jim Reeves
Gentleman Jim
James Travis Reeves (August 20, 1923 – July 31, 1964) was an American country and popular music singer-songwriter. With records charting from the 1950s to the 1980s, he became well known as a practitioner of the Nashville sound. Known as "Gentleman Jim", his songs continued to chart for years after his death. Reeves died in the crash of his private airplane. He is a member of both the Country Music and Texas Country Music Halls of Fame.
Reeves began to work as a radio announcer, and sang live between songs. During the late 1940s, he was contracted with a couple of small Texas-based recording companies, but without success. Influenced by such Western swing-music artists as Jimmie Rodgers and Moon Mullican, as well as popular singers Bing Crosby, Eddy Arnold and Frank Sinatra, it was not long before he was a member of Moon Mullican's band, and made some early Mullican-style recordings like "Each Beat of my Heart" and "My Heart's Like a Welcome Mat" from the late 1940s to the early 1950s.
He eventually obtained a job as an announcer for KWKH-AM in Shreveport, Louisiana, home of the popular former radio program, the Louisiana Hayride. According to former Hayride master of ceremonies Frank Page, who had introduced Elvis Presley on the program in 1954, singer Sleepy LaBeef was late for a performance, and Reeves was asked to substitute. (Other accounts—-including Reeves himself, in an interview on the RCA album Yours Sincerely—-name Hank Williams as the absentee.)
Reeves' first successful country music songs included "I Love You" (a duet with Ginny Wright), "Mexican Joe", and "Bimbo" which reached Number 1 in 1954 on the U.S. Country Charts, and other songs with both Fabor Records and Abbott Records. Abbott released his first album in November 1955, Jim Reeves Sings (Abbott 5001), which was the label's only album release. Earlier in 1955, he was signed to a 10-year recording contract with RCA Victor by Steve Sholes, who produced some of Reeves' first recordings at RCA and signed Elvis Presley for the company that same year. Also in 1955, he joined the Grand Ole Opry and made his first appearance on ABC-TV's Ozark Jubilee, where he was a fill-in host from May–July 1958.
For his earliest RCA recordings, Reeves was still singing with the loud style of his first recordings, considered standard for country and western performers at that time. He decreased his volume, using a lower pitch and singing with lips nearly touching the microphone, although there were protests at RCA. During 1957, with the endorsement of his producer Chet Atkins, he used this style for his version of a demonstration song of lost love intended for a female singer. "Four Walls" not only scored No. 1 on the country music charts, but scored No. 11 on the popular music charts. Reeves had helped begin a new style of country music, using violins and lusher background arrangements soon known as the Nashville sound.
Reeves became known as a crooner because of his rich light baritone voice. Songs such as "Adios Amigo", "Welcome to My World", and "Am I Losing You?" demonstrated this. His Christmas songs have been perennial favorites, including "C-H-R-I-S-T-M-A-S", "Blue Christmas" and "An Old Christmas Card".
He is also responsible for popularizing many gospel songs, including "We Thank Thee", "Take My Hand, Precious Lord", "Across The Bridge", "Where We'll Never Grow Old" and many others.
Reeves scored his greatest success with the Joe Allison composition "He'll Have to Go", a great success on both the popular and country music charts, which earned him a platinum record. Released during late 1959, it scored number one on Billboard magazine's Hot Country Songs chart on February 8, 1960, which it scored for 14 weeks consecutive. Country music historian Bill Malone noted that while it was in many ways a conventional country song, its arrangement and the vocal chorus "put this recording in the country pop vein". In addition, Malone lauded Reeves' vocal styling—lowered to "its natural resonant level" to project the "caressing style that became famous"—as why "many people refer to him as the singer with the velvet touch." In 1963, he released his well proclaimed "Twelve Songs of Christmas" album, which had the well known songs "C.H.R.I.S.T.M.A.S" and "An Old Christmas Card". During 1975, RCA producer Chet Atkins told an interviewer, "Jim wanted to be a tenor but I wanted him to be a baritone… After he changed his voice to that smooth deeper sound, he was immensely popular."
Reeves' last recording session for RCA Victor had produced "Make the World Go Away", "Missing You", and "Is It Really Over?" When the session ended with some time remaining on the schedule, Reeves suggested he record one more song. He taped "I Can't Stop Loving You", in what was to be his last RCA recording. He made one later recording, however, at the little studio in his home. During July 1964 Reeves recorded "I'm a Hit Again", using just an acoustic guitar as accompaniment. That recording was never released by RCA but appeared during 2003 as part of a collection of Reeves songs, after RCA had sold its rights to Reeves' recordings.
On July 31, 1964, Reeves and his business partner and manager Dean Manuel (also the pianist of Reeves' backing group, the Blue Boys) left Batesville, Arkansas, en route to Nashville in a single-engine Beechcraft Debonair aircraft, with Reeves at the controls. The two had secured a deal on some real estate (Reeves had also unsuccessfully tried to buy property from the LaGrone family in Deadwood, Texas, north of his birthplace of Galloway).
While flying over Brentwood, Tennessee, they encountered a violent thunderstorm. A subsequent investigation showed that the small airplane had become caught in the storm and Reeves suffered spatial disorientation. The singer's widow, Mary Reeves (1929-1999), probably unwittingly started the rumor that he was flying the airplane upside down and assumed he was increasing altitude to clear the storm. However, according to Larry Jordan, author of the 2011 biography, Jim Reeves: His Untold Story, this scenario is refuted by eyewitnesses known to crash investigators who saw the plane overhead immediately before the mishap, and confirmed that Reeves was not upside down. Jordan writes extensively about forensic evidence (including from the long-elusive tower tape and accident report), which suggests that instead of making a right turn to avoid the storm (as he had been advised by the Approach Controller to do), Reeves turned left in an attempt to follow Franklin Road to the airport. In so doing, he flew further into the rain. While preoccupied with trying to re-establish his ground references, Reeves let his airspeed get too low and stalled the aircraft. Relying on his instincts more than his training, evidence suggests he applied full power and pulled back on the yoke before leveling his wings—a fatal, but not uncommon, mistake that induced a stall/spin from which he was too low to recover. Jordan writes that according to the tower tape, Reeves ran into the heavy rain at 4:51 p.m. and crashed only a minute later, at 4:52 p.m.
When the wreckage was found some 42 hours later, it was discovered the airplane's engine and nose were buried in the ground due to the impact of the crash. The crash site was in a wooded area north-northeast of Brentwood approximately at the junction of Baxter Lane and Franklin Pike Circle, just east of Interstate 65, and southwest of Nashville International Airport where Reeves planned to land. Coincidentally, both Reeves and Randy Hughes, the pilot of Patsy Cline's ill-fated airplane, were trained by the same instructor.
On the morning of August 2, 1964, after an intense search by several parties (which included several personal friends of Reeves including Ernest Tubb and Marty Robbins) the bodies of the singer and Dean Manuel were found in the wreckage of the aircraft and, at 1:00 p.m. local time, radio stations across the United States began to announce Reeves' death formally. Thousands of people traveled to pay their last respects at his funeral two days later. The coffin, draped in flowers from fans, was driven through the streets of Nashville and then to Reeves' final resting place near Carthage, Texas.
Reeves was elected posthumously to the Country Music Hall of Fame during 1967, which honored him by saying, "The velvet style of 'Gentleman Jim Reeves' was an international influence. His rich voice brought millions of new fans to country music from every corner of the world. Although the crash of his private airplane took his life, posterity will keep his name alive because they will remember him as one of country music's most important performers."
During 1998, he was inducted into the Texas Country Music Hall of Fame in Carthage, Texas, where the Jim Reeves Memorial is located. The inscription on the memorial reads, "If I, a lowly singer, dry one tear, or soothe one humble human heart in pain, then my homely verse to God is dear, and not one stanza has been sung in vain."